He then joined Marvel as an editor in 1980. 1975) and two issues of the jungle-hero book Ka-Zar before beginning a long run at DC Comics.Īt DC, Hama became an editor of the titles Wonder Woman, Mister Miracle, Super Friends, and The Warlord, and the TV-series licensed property Welcome Back, Kotter from 1977 to 1978. He went on to freelance for start-up publisher Atlas/Seaboard (writing and penciling the first two issues of the sword & sorcery series Wulf the Barbarian, writing the premiere of the science fiction/ horror Planet of Vampires) some penciling work on the seminal independent comic book Big Apple Comix #1 (Sept. Hama began penciling for comics a year-and-a-half later, making an auspicious debut succeeding character co-creator Gil Kane on the feature " Iron Fist" in Marvel Premiere, taking over with the martial arts superhero's second appearance and his next three stories (#16-19, July-Nov. Through contacts made while working for Wood, Hama began working at comic-book and commercial artist Neal Adams' Continuity Associates studio with other young contemporaries there, including Reese, Frank Brunner and Bernie Wrightson, Hama became part of the comic-book inking gang credited as the " Crusty Bunkers." His first known work as such is on the Alan Weiss-penciled "Slaves of the Mahars" in DC Comics' Weird Worlds #2 (Nov. During this time, he also had illustrations published in such magazines as Esquire and Rolling Stone, and Reese and he collaborated on art for a story in the underground comix-style humor magazine Drool #1 (1972). Hama assisted on Wood's comic strips Sally Forth and Cannon, which originally ran in Military News and Overseas Weekly and were later collected in a series of books. High-school classmate Ralph Reese, who had become an assistant to famed EC and Marvel artist Wally Wood, helped Hama get a similar job at Wood's Manhattan studio. Upon his discharge, Hama became active in the Asian community in New York City. Hama's experiences in Vietnam informed his editing of the 1986-1993 Marvel Comics series The 'Nam. After high school, Hama took a job drawing shoes for catalogs, and then served in the United States Army from 1969 to 1971, during the Vietnam War, where he became a firearms and explosive ordnance expert. Hama sold his first comics work to the fantasy film magazine Castle of Frankenstein when he was 16 years old, and he followed by collaborating with Bhob Stewart on pages for the underground tabloid Gothic Blimp Works. He was in the same graduating class as Frank Brunner and Ralph Reese. Planning to become a painter, Hama attended Manhattan's High School of Art and Design, where one instructor was former EC Comics artist Bernard Krigstein. Growing up, Hama studied Kodokan Judo and later studied Kyūdō (Japanese archery) and Iaido ( Japanese martial art swordsmanship). Hama was born June 7, 1949, in New York City. He co-created the character Bucky O'Hare, which was developed into a comic book, a toy line and television cartoon. He has also written for the series Wolverine, Nth Man: The Ultimate Ninja, and Elektra. Joe: A Real American Hero, based on the Hasbro toyline. He is best known to American comic book readers as a writer and editor for Marvel Comics, where he wrote the licensed comic book series G.I. Larry Hama ( / ˈ h æ m ə/ born June 7, 1949) is an American comic-book writer, artist, actor, and musician who has worked in the fields of entertainment and publishing since the 1960s.ĭuring the 1970s, he was seen in minor roles on the TV shows M*A*S*H and Saturday Night Live, and appeared on Broadway in two roles in the original 1976 production of Stephen Sondheim's Pacific Overtures.
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